"The GRAMMY Nominations Concert Live!! — Countdown To Music's Biggest Night" will air live Wednesday, Dec. 1 at 10 p.m. ET/PT on CBS.
In the two weeks leading up to the special, we will take a stroll through some of the golden moments in GRAMMY history with the GRAMMY Rewind, highlighting the "big four" categories — Album Of The Year, Record Of The Year, Song Of The Year, and Best New Artist — in 10-year increments before capping off with a look at the last five years. In the process, we'll discuss the winners and the nominees who just missed taking home a GRAMMY, while also shining a light on the artists' careers and the eras in which the recordings were born.
Join us as we take an abbreviated journey through the trajectory of pop music from the 1st Annual GRAMMY Awards in 1959 to last year's 52nd telecast. Today, the GRAMMY Awards celebrates 1997.
40th Annual GRAMMY Awards
Feb. 25, 1998
Album Of The Year
Winner: Bob Dylan, Time Out Of My Mind
Babyface, The Day
Paula Cole, This Fire
Paul McCartney, Flaming Pie
Radiohead, Ok Computer
The venerable Dylan edged out a diverse field in claiming his second Album Of The Year award for Time Out Of My Mind, produced by Daniel Lanois. (His first came in 1972 for his participation on The Concert For Bangla Desh.) Dylan's unforgettable performance on the telecast included an encounter with a stage crasher bearing the words "Soy Bomb" on his torso.
Smooth R&B songwriter/producer Babyface made the cut with The Day, which featured the touching title track written about the day his then-wife Tracey Edmonds told him she was pregnant with their first child, Brandon. Babyface won back-to-back Producer Of The Year awards in 1995 and 1996. Singer/songwriter Cole, who impressively scored nods in all four General Field categories, was recognized for her sophomore album. McCartney, who won Album Of The Year 30 years prior with his friends from Liverpool, was cited for Flaming Pie, a stripped-down song cycle inspired by the then-recent GRAMMY-winning The Beatles Anthology. Though Radiohead would lose out in this category, the British alternative rockers won their first GRAMMY for Best Alternative Music Performance.
In the two weeks leading up to the special, we will take a stroll through some of the golden moments in GRAMMY history with the GRAMMY Rewind, highlighting the "big four" categories — Album Of The Year, Record Of The Year, Song Of The Year, and Best New Artist — in 10-year increments before capping off with a look at the last five years. In the process, we'll discuss the winners and the nominees who just missed taking home a GRAMMY, while also shining a light on the artists' careers and the eras in which the recordings were born.
Join us as we take an abbreviated journey through the trajectory of pop music from the 1st Annual GRAMMY Awards in 1959 to last year's 52nd telecast. Today, the GRAMMY Awards celebrates 1997.
40th Annual GRAMMY Awards
Feb. 25, 1998
Album Of The Year
Winner: Bob Dylan, Time Out Of My Mind
Babyface, The Day
Paula Cole, This Fire
Paul McCartney, Flaming Pie
Radiohead, Ok Computer
The venerable Dylan edged out a diverse field in claiming his second Album Of The Year award for Time Out Of My Mind, produced by Daniel Lanois. (His first came in 1972 for his participation on The Concert For Bangla Desh.) Dylan's unforgettable performance on the telecast included an encounter with a stage crasher bearing the words "Soy Bomb" on his torso.
Smooth R&B songwriter/producer Babyface made the cut with The Day, which featured the touching title track written about the day his then-wife Tracey Edmonds told him she was pregnant with their first child, Brandon. Babyface won back-to-back Producer Of The Year awards in 1995 and 1996. Singer/songwriter Cole, who impressively scored nods in all four General Field categories, was recognized for her sophomore album. McCartney, who won Album Of The Year 30 years prior with his friends from Liverpool, was cited for Flaming Pie, a stripped-down song cycle inspired by the then-recent GRAMMY-winning The Beatles Anthology. Though Radiohead would lose out in this category, the British alternative rockers won their first GRAMMY for Best Alternative Music Performance.
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